On the Sensations of Tone
is without doubt one of the world's maximum clinical classics. It bridges the distance among the common sciences and tune conception and, approximately a century after its first booklet, it's nonetheless a customary textual content for the examine of physiological acoustics — the clinical foundation of musical thought. it's also a treasury of information for musicians and scholars of tune and an enormous paintings within the realm of aesthetics, making very important contributions to physics, anatomy, and body structure in its institution of the actual idea of tune. tricky medical innovations are defined easily and simply for the final reader.
The first components of this publication care for the physics and body structure of tune. half I explains the feeling of sound quite often, vibrations, sympathetic resonances, and different phenomena. half II conceal combinational tones and beats, and develops Helmholtz's well-known concept explaining why harmonious chords are within the ratios of small complete numbers (a challenge unsolved because Pythagoras).
Part III includes the author's conception at the aesthetic dating of musical tones. After a survey of the several rules of musical types in background (tonal platforms of Pythagoras, the Church, the chinese language, Arabs, Persians, and others), he makes an in depth learn of our personal tonal process (keys, discords, development of parts).
Important issues during this 576-page paintings are profusely illustrated with graphs, diagrams, tables, and musical examples. 33 appendices talk about pitch, acoustics, and track, and comprise a truly priceless desk and research of the background of pitch in Europe from the fourteenth to the 19th centuries.