Projecting deviance/seeing queerly: Homosexual representation and queer spectatorship in 1950s West Germany

By Alison Guenther-Pal

"Projecting Deviance/Seeing Queerly" is an research of the illustration of homosexuality in cinematic, medical, lay, and literary texts in the course of West Germany's Adenauer period (1949--1963). It examines postwar makes an attempt to provide a reliable procedure of sexuality and gender buildings purportedly destabilized by way of the interwar years of the Weimar Republic through nationwide Socialism, the Holocaust and global struggle II. This examine focuses particularly at the illustration of homosexuality via interpreting instantaneously socio-cultural efforts to reestablish sexual "normalcy" whereas while supplying queer interventions into such efforts. My realization within the first half this dissertation rests on an research of the dominant and principally homophobic discourses surrounding male homosexuality culled from various modern assets, together with Willhart Schlegel's organic theories of homosexuality and structure, empirical sociologist Helmut Schelsky's emphasis on cultural affects, Veit Harlan's social challenge movie Anders als du und ich (§175) , and Heinrich Böll's Der Zug struggle pünktlich . Drawing from feminist and queer interventions in movie spectatorship as well as feminist literary theories of studying, the second one component of my dissertation foregrounds the strategies of assigning intending to cultural artifacts and explores the contours of those procedures in an effort to exhibit the ways that the Fifties could be "queered." After presenting a conception of movie spectatorship, I research the general public photo of Liselotte Pulver, the celebrity of 3 cross-dressing or Hosenrolle motion pictures, and recommend a queer examining of 2 of those, Fritz und Friederike and Gustav Adolfs web page . This venture is equipped round a primary rigidity among the ideological features of illustration and the service provider of person matters.

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By Alison Guenther-Pal

"Projecting Deviance/Seeing Queerly" is an research of the illustration of homosexuality in cinematic, medical, lay, and literary texts in the course of West Germany's Adenauer period (1949--1963). It examines postwar makes an attempt to provide a reliable procedure of sexuality and gender buildings purportedly destabilized by way of the interwar years of the Weimar Republic through nationwide Socialism, the Holocaust and global struggle II. This examine focuses particularly at the illustration of homosexuality via interpreting instantaneously socio-cultural efforts to reestablish sexual "normalcy" whereas while supplying queer interventions into such efforts. My realization within the first half this dissertation rests on an research of the dominant and principally homophobic discourses surrounding male homosexuality culled from various modern assets, together with Willhart Schlegel's organic theories of homosexuality and structure, empirical sociologist Helmut Schelsky's emphasis on cultural affects, Veit Harlan's social challenge movie Anders als du und ich (§175) , and Heinrich Böll's Der Zug struggle pünktlich . Drawing from feminist and queer interventions in movie spectatorship as well as feminist literary theories of studying, the second one component of my dissertation foregrounds the strategies of assigning intending to cultural artifacts and explores the contours of those procedures in an effort to exhibit the ways that the Fifties could be "queered." After presenting a conception of movie spectatorship, I research the general public photo of Liselotte Pulver, the celebrity of 3 cross-dressing or Hosenrolle motion pictures, and recommend a queer examining of 2 of those, Fritz und Friederike and Gustav Adolfs web page . This venture is equipped round a primary rigidity among the ideological features of illustration and the service provider of person matters.

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The Artificial Empire: The Indian Landscapes of William Hodges

The position of the visible arts within the statement of eu colonial energy has been the topic of a lot fresh research and redefinition. This ebook takes as a flooring for dialogue the illustration of Indian surroundings and structure via British artists within the past due eighteenth and early 19th centuries. It comprises the paintings of a variety of artists from the Daniells to Edward Lear, yet vital to the learn is a specific specialise in William Hodges, a pioneer within the box who loved an in depth organization with Britain's first Governor common in India, Warren Hastings, and whose remarkable physique of labor as draughtsman, painter and author shaped an important legacy for later artists. The ebook comprises lots of his work and drawings not often or by no means formerly released, and analyses his paintings and writing relating to the highbrow and aesthetic rules of his time. The work and drawings mentioned listed below are proven to be advanced gadgets, status in a unavoidably advanced courting with old occasions and ideas. This courting is explored and outlined totally, to offer a brand new intervention in post-colonial cultural theory.

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The position of the visible arts within the statement of eu colonial energy has been the topic of a lot fresh research and redefinition. This ebook takes as a flooring for dialogue the illustration of Indian surroundings and structure via British artists within the past due eighteenth and early 19th centuries. It comprises the paintings of a variety of artists from the Daniells to Edward Lear, yet vital to the learn is a specific specialise in William Hodges, a pioneer within the box who loved an in depth organization with Britain's first Governor common in India, Warren Hastings, and whose remarkable physique of labor as draughtsman, painter and author shaped an important legacy for later artists. The ebook comprises lots of his work and drawings not often or by no means formerly released, and analyses his paintings and writing relating to the highbrow and aesthetic rules of his time. The work and drawings mentioned listed below are proven to be advanced gadgets, status in a unavoidably advanced courting with old occasions and ideas. This courting is explored and outlined totally, to offer a brand new intervention in post-colonial cultural theory.

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The Nude: A Study in Ideal Form

By Kenneth Clark

From the artwork of the Greeks to that of Renoir and Moore, this paintings surveys the ever-changing models in what has constituted the perfect nude as a foundation of humanist form.

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By Kenneth Clark

From the artwork of the Greeks to that of Renoir and Moore, this paintings surveys the ever-changing models in what has constituted the perfect nude as a foundation of humanist form.

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David e l'arte della rivoluzione francese (Art dossier Giunti)

By Orietta Rossi Pinelli

Jacques-Louis David (30 August 1748 – 29 December 1825) used to be an influential French painter within the Neoclassical sort, thought of to be the preeminent painter of the period. within the 1780s his cerebral model of background portray marked a metamorphosis in style clear of Rococo frivolity towards a classical austerity and severity, heightened feeling chiming with the ethical weather of the ultimate years of the Ancien Régime.
David later turned an lively supporter of the French Revolution and good friend of Maximilien Robespierre (1758–1794), and used to be successfully a dictator of the humanities below the French Republic. Imprisoned after Robespierre's fall from energy, he aligned himself with another political regime upon his unlock, that of Napoleon I. It used to be at present that he built his Empire variety, extraordinary for its use of hot Venetian colors. After Napoleon's fall from energy and the Bourbon revival, David exiled himself to Brussels, then within the uk of the Netherlands, the place he remained until eventually his dying. David had loads of scholars, making him the most powerful impression in French artwork of the early nineteenth century, in particular educational Salon painting.

Sommario:

PARIGI E los angeles RIVOLUZIONE
Cambia anche il pace (Francesco H. Maiello)
DAVID E LE FESTE REPUBBLICANE
La festa dell'Essere Supremo (Francesco Pitocco)
DAVID E los angeles PITTURA according to los angeles RIVOLUZIONE
DAVID E los angeles NASCITA DEL MUSEO
DAVID: VITA E OPERE
Cronologia
Bibliografia

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By Orietta Rossi Pinelli

Jacques-Louis David (30 August 1748 – 29 December 1825) used to be an influential French painter within the Neoclassical sort, thought of to be the preeminent painter of the period. within the 1780s his cerebral model of background portray marked a metamorphosis in style clear of Rococo frivolity towards a classical austerity and severity, heightened feeling chiming with the ethical weather of the ultimate years of the Ancien Régime.
David later turned an lively supporter of the French Revolution and good friend of Maximilien Robespierre (1758–1794), and used to be successfully a dictator of the humanities below the French Republic. Imprisoned after Robespierre's fall from energy, he aligned himself with another political regime upon his unlock, that of Napoleon I. It used to be at present that he built his Empire variety, extraordinary for its use of hot Venetian colors. After Napoleon's fall from energy and the Bourbon revival, David exiled himself to Brussels, then within the uk of the Netherlands, the place he remained until eventually his dying. David had loads of scholars, making him the most powerful impression in French artwork of the early nineteenth century, in particular educational Salon painting.

Sommario:

PARIGI E los angeles RIVOLUZIONE
Cambia anche il pace (Francesco H. Maiello)
DAVID E LE FESTE REPUBBLICANE
La festa dell'Essere Supremo (Francesco Pitocco)
DAVID E los angeles PITTURA according to los angeles RIVOLUZIONE
DAVID E los angeles NASCITA DEL MUSEO
DAVID: VITA E OPERE
Cronologia
Bibliografia

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The New Art of the Fifteenth Century

By Shirley Neilsen Blum

A clean examine the early Renaissance, contemplating Florentine and Netherlandish paintings as a unmarried phenomenon, straight away deeply non secular and completely new.

Adam and Eve are pushed from the backyard of Eden right into a rocky panorama, their bare our bodies lit through a chilly sunlight, their gestures and expressions a learn in disgrace and anguish.

A critical guy, good attired, kneels in prayer earlier than the Virgin and baby, shut adequate to the touch them virtually, his furrowed forehead atmosphere off the saintly perfection in their beneficial properties.

In fifteenth-century Florence and Flanders, painters have been utilizing an arsenal of recent techniques—including standpoint, anatomy, and the exact therapy of sunshine and shade—to current conventional non secular matters with an remarkable immediacy and emotional energy. Their paintings was once the made from a shared Christian tradition, and their buyers incorporated not just nobles and churchmen but additionally the center sessions of those thriving advertisement centers.

Shirley Neilsen Blum deals a brand new synthesis of this impressive interval in Western art—between the refinements of the Gothic and the classicism of the excessive Renaissance—when the magical used to be made to appear actual. within the first a part of her textual content, Blum strains the emergence of a brand new naturalism within the sculpture of Claus Sluter and Donatello, after which within the portray of Van Eyck and Masaccio. within the moment half, she compares scenes from the Infancy and keenness of Christ as rendered through artists from North and South. Exploring either the pictures themselves and the theological recommendations that lie in the back of them, she re-creates, so far as attainable, the event of the modern fifteenth-century viewer.

Abundantly illustrated with colour plates of masterworks by means of Fra Angelico, Botticelli, Rogier van der Weyden, and others, this thought-provoking quantity will attraction both to normal readers and scholars of artwork history.

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By Shirley Neilsen Blum

A clean examine the early Renaissance, contemplating Florentine and Netherlandish paintings as a unmarried phenomenon, straight away deeply non secular and completely new.

Adam and Eve are pushed from the backyard of Eden right into a rocky panorama, their bare our bodies lit through a chilly sunlight, their gestures and expressions a learn in disgrace and anguish.

A critical guy, good attired, kneels in prayer earlier than the Virgin and baby, shut adequate to the touch them virtually, his furrowed forehead atmosphere off the saintly perfection in their beneficial properties.

In fifteenth-century Florence and Flanders, painters have been utilizing an arsenal of recent techniques—including standpoint, anatomy, and the exact therapy of sunshine and shade—to current conventional non secular matters with an remarkable immediacy and emotional energy. Their paintings was once the made from a shared Christian tradition, and their buyers incorporated not just nobles and churchmen but additionally the center sessions of those thriving advertisement centers.

Shirley Neilsen Blum deals a brand new synthesis of this impressive interval in Western art—between the refinements of the Gothic and the classicism of the excessive Renaissance—when the magical used to be made to appear actual. within the first a part of her textual content, Blum strains the emergence of a brand new naturalism within the sculpture of Claus Sluter and Donatello, after which within the portray of Van Eyck and Masaccio. within the moment half, she compares scenes from the Infancy and keenness of Christ as rendered through artists from North and South. Exploring either the pictures themselves and the theological recommendations that lie in the back of them, she re-creates, so far as attainable, the event of the modern fifteenth-century viewer.

Abundantly illustrated with colour plates of masterworks by means of Fra Angelico, Botticelli, Rogier van der Weyden, and others, this thought-provoking quantity will attraction both to normal readers and scholars of artwork history.

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Dangerous Liaisons: Fashion and Furniture in the Eighteenth Century

By Harold Koda, Andrew Bolton

in the course of the reigns of Louis XV (1723-74) and Louis XVI (1774-92) model and furnishings merged beliefs of good looks and enjoyment via their kinds and gildings. With their fragile surfaces and gentle proportions, tables, chairs, and different items of furnishings better the elite's indulgence in leisurely goals, fostering hugely complicated criteria of etiquette and function. women and men restated the elegance of the Rococo and Neoclassical interiors of the interval of their opulent costumes. For the eighteenth-century libertine and femme du monde, a polished attractiveness and gentle voluptuousness infused their global with a temper of amorous delight.

Dangerous Liaisons takes its subject from this period, while trifling in love propelled the energies of elite women and men, supplying virtually day-by-day stimulating encounters, and whilst, as has been written, "morality misplaced yet society gained." In Choderlos de Laclos's novel of an identical identify, Ceacile, a tender lady, is praised by means of her train within the worldly arts: "She is basically pleasant! She has neither personality nor ideas ... every thing approximately her shows the keenest sensations." Valmont, her seducer, notes the next morning, "Nothing might have been extra amusing." Valmont has received a video game within the contest of lovemaking.

The fantastically photographed and handsomely reproduced pictures at the following pages carry those amorous adventures to existence. The vignettes, staged for the generally praised exhibition "Dangerous Liaisons: type and furnishings within the Eighteenth Century," held on the Metropolitan Museum of artwork in 2004, characteristic eighteenth-century costumes within the Museum's amazing French interval rooms, The Wrightsman Galleries. The artfully composed scenes contain: a girl sitting for her portrait whereas her husband flirts together with her buddy; a guy being granted an viewers with a girl in a peignoir who's having her hair dressed; a seller embracing the spouse of an previous guy, his again grew to become, analyzing a desk on the market; a lady receiving greater than a harp lesson from her instructor, whereas her oblivious chaperone reads an erotic novel; a lady giving up her garter as a keepsake of a truly deepest dinner. The wonderful and an expert texts set the scenes perfectly.  [This e-book used to be initially released in 2006 and has long gone out of print. This variation is a print-on-demand model of the unique book.]

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By Harold Koda, Andrew Bolton

in the course of the reigns of Louis XV (1723-74) and Louis XVI (1774-92) model and furnishings merged beliefs of good looks and enjoyment via their kinds and gildings. With their fragile surfaces and gentle proportions, tables, chairs, and different items of furnishings better the elite's indulgence in leisurely goals, fostering hugely complicated criteria of etiquette and function. women and men restated the elegance of the Rococo and Neoclassical interiors of the interval of their opulent costumes. For the eighteenth-century libertine and femme du monde, a polished attractiveness and gentle voluptuousness infused their global with a temper of amorous delight.

Dangerous Liaisons takes its subject from this period, while trifling in love propelled the energies of elite women and men, supplying virtually day-by-day stimulating encounters, and whilst, as has been written, "morality misplaced yet society gained." In Choderlos de Laclos's novel of an identical identify, Ceacile, a tender lady, is praised by means of her train within the worldly arts: "She is basically pleasant! She has neither personality nor ideas ... every thing approximately her shows the keenest sensations." Valmont, her seducer, notes the next morning, "Nothing might have been extra amusing." Valmont has received a video game within the contest of lovemaking.

The fantastically photographed and handsomely reproduced pictures at the following pages carry those amorous adventures to existence. The vignettes, staged for the generally praised exhibition "Dangerous Liaisons: type and furnishings within the Eighteenth Century," held on the Metropolitan Museum of artwork in 2004, characteristic eighteenth-century costumes within the Museum's amazing French interval rooms, The Wrightsman Galleries. The artfully composed scenes contain: a girl sitting for her portrait whereas her husband flirts together with her buddy; a guy being granted an viewers with a girl in a peignoir who's having her hair dressed; a seller embracing the spouse of an previous guy, his again grew to become, analyzing a desk on the market; a lady receiving greater than a harp lesson from her instructor, whereas her oblivious chaperone reads an erotic novel; a lady giving up her garter as a keepsake of a truly deepest dinner. The wonderful and an expert texts set the scenes perfectly.  [This e-book used to be initially released in 2006 and has long gone out of print. This variation is a print-on-demand model of the unique book.]

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Cinema e pittura (Art dossier Giunti)

By Pier Marco De Santi

During this ebook is an research of the connection among cinema and the visible arts. mostly we will be able to say that the movie, given that its inception, has additionally produced a few of his maximum pictorial iconography of the entire historical past of paintings, however the box of research is intensely extensive.

Sommario:

IL CINEMA MUTO
Cinema d artista e artisti di cinema
Film storico e kolossal storico-religioso
Il "tableau vivant" nel cinema italiano
IL CINEMA SONORO
Europa: l'estetica del "divertimento"
Russia: ~jzenstejn e eleven tesoro della cultura popolare
Giappone: una rigorosa tradizione nazionale
Italia: il senso della pittura
Stati Uniti: il tabù dell'arte (Giorgio Vitale)
La cultura planetaria degli apolidi: Kubrick
CONCLUSIONI
FlLMOGRAFTA ESSENZIALE
Bibliografia

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By Pier Marco De Santi

During this ebook is an research of the connection among cinema and the visible arts. mostly we will be able to say that the movie, given that its inception, has additionally produced a few of his maximum pictorial iconography of the entire historical past of paintings, however the box of research is intensely extensive.

Sommario:

IL CINEMA MUTO
Cinema d artista e artisti di cinema
Film storico e kolossal storico-religioso
Il "tableau vivant" nel cinema italiano
IL CINEMA SONORO
Europa: l'estetica del "divertimento"
Russia: ~jzenstejn e eleven tesoro della cultura popolare
Giappone: una rigorosa tradizione nazionale
Italia: il senso della pittura
Stati Uniti: il tabù dell'arte (Giorgio Vitale)
La cultura planetaria degli apolidi: Kubrick
CONCLUSIONI
FlLMOGRAFTA ESSENZIALE
Bibliografia

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Claude Cahun: The Soldier with No Name

By Gavin James Bower

Claude Cahun is crucial artist you've got by no means heard of - previously. author, photographer, lesbian; progressive activist, surrealist, resistance fighter - Cahun witnessed the beginning of the Paris avant-garde, lived via global Wars and, as 'Der Soldat ohne Namen', risked loss of life by means of inciting mutiny on Nazi-occupied Jersey. And but, she's till lately been basically a peripheral determine in those world-shaping occasions, relegated by means of teachers to the footnotes within the background of paintings, sexual politics and innovative events of the final century. Now extra so than ever, Cahun calls for an important presence within the heritage of surrealism and the avant-garde - even, within the literary canon of early twentieth-century literature. certainly her one significant booklet, Disavowals, is a masterpiece of anti-memoir writing. a lot has been made up of her as a photographer, yet Claude Cahun 'the author' was once the most radical and prescient leftists of the century. At a time whilst her superstar is emerging like by no means earlier than Claude Cahun: The Soldier without identify represents the 1st specific test in English to posit Cahun as a major determine in her personal correct, and to popularise some of the most prescient and influential artists of her generation.

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By Gavin James Bower

Claude Cahun is crucial artist you've got by no means heard of - previously. author, photographer, lesbian; progressive activist, surrealist, resistance fighter - Cahun witnessed the beginning of the Paris avant-garde, lived via global Wars and, as 'Der Soldat ohne Namen', risked loss of life by means of inciting mutiny on Nazi-occupied Jersey. And but, she's till lately been basically a peripheral determine in those world-shaping occasions, relegated by means of teachers to the footnotes within the background of paintings, sexual politics and innovative events of the final century. Now extra so than ever, Cahun calls for an important presence within the heritage of surrealism and the avant-garde - even, within the literary canon of early twentieth-century literature. certainly her one significant booklet, Disavowals, is a masterpiece of anti-memoir writing. a lot has been made up of her as a photographer, yet Claude Cahun 'the author' was once the most radical and prescient leftists of the century. At a time whilst her superstar is emerging like by no means earlier than Claude Cahun: The Soldier without identify represents the 1st specific test in English to posit Cahun as a major determine in her personal correct, and to popularise some of the most prescient and influential artists of her generation.

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Modigliani (Basic Art Series 2.0)

Along got here Amedeo: A specific kind of beauty
 
In never-ending odes to the feminine form, Amedeo Modigliani (1884–1920) traced elongated our bodies, almond eyes, and his personal identify into artwork historical past. His languid woman matters are as immediately recognizable as they are startling, sensual, and swan-necked.

Modigliani's designated figuration corresponded to his personal own thought of good looks, yet drew upon a wealthy number of visible affects, together with contemporary Cubism, African carvings, Cambodian sculptures, and thirteenth century portray from his local Italy. even supposing most famed for his nude adult females, he utilized related stylistic thoughts to photographs of male creative contemporaries such as Pablo Picasso, Jean Cocteau, and Chaim Soutine.

With key works from his hugely individualistic repertoire, this e-book introduces Modigliani's short yet respected occupation on the heart of Paris' early modernist hotbed.

 
About the Series:
Each e-book in TASCHEN’s easy artwork sequence positive aspects:
  • a precise chronological precis of the existence and oeuvre of the artist, masking his or her cultural and ancient importance
  • a concise biography
  • approximately a hundred illustrations with explanatory captions

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Along got here Amedeo: A specific kind of beauty
 
In never-ending odes to the feminine form, Amedeo Modigliani (1884–1920) traced elongated our bodies, almond eyes, and his personal identify into artwork historical past. His languid woman matters are as immediately recognizable as they are startling, sensual, and swan-necked.

Modigliani's designated figuration corresponded to his personal own thought of good looks, yet drew upon a wealthy number of visible affects, together with contemporary Cubism, African carvings, Cambodian sculptures, and thirteenth century portray from his local Italy. even supposing most famed for his nude adult females, he utilized related stylistic thoughts to photographs of male creative contemporaries such as Pablo Picasso, Jean Cocteau, and Chaim Soutine.

With key works from his hugely individualistic repertoire, this e-book introduces Modigliani's short yet respected occupation on the heart of Paris' early modernist hotbed.

 
About the Series:
Each e-book in TASCHEN’s easy artwork sequence positive aspects:
  • a precise chronological precis of the existence and oeuvre of the artist, masking his or her cultural and ancient importance
  • a concise biography
  • approximately a hundred illustrations with explanatory captions

Show description

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